Beethoven: Napoleon and the Music of War LIVE at the Royal Albert Hall
The Rest Is History
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10 min
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30:00
1:00:00
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Performance Credits
- Academy of St Martin in the Fields – Orchestra
- Philharmonia Chorus – Chorus
- Oliver Zeffman – Conductor
- Stephanie Gonley – Leader & Violin Soloist
- Mishka Rushdie Momen – Pianist
- Nardus Williams – Soprano
- Katie Stevenson – Mezzo
- Andrew Staples – Tenor
- William Thomas – Bass
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Production
- Producer: Theo Young-Smith
- Assistant Producers: Tabby Syrett, Anouska Lewis, Aaliyah Akude
- Executive Producers: Jack Davenport, Tony Pastor
Raw Description
<p>Ludwig Van Beethoven, like his precursor and possible acquaintance Mozart, is one of the most famous figures in Western musical history. With his wild hair and furrowed brow, his was a genius marked not by flamboyance and flare, but dark, bombastic gravity. Like Mozart, though, his musical talents also emerged at a young age. Born in Bonn, Germany, in 1770, he was initially taught by his father. Finding his home life dysfunctional however, he eventually moved to Vienna at the age of twenty-one. There he would study musical composition under the great composer Haydn, and garnered a reputation for being a talented pianist. By 1800, his symphonies were being performed to much acclaim. But, as music’s first true star and with the world seemingly before his feet, a terrible shadow was hanging over Beethoven - his encroaching deafness, which saw him becoming more and more anti-social. How was it, then, that in spite of this terrible affliction, he came to write some of his best known works during the height of his deafness? And what became of him?</p><p><br></p><p>Join Tom and Dominic at the Royal Albert Hall, featuring the Academy of St Martin in the Fields and the Philharmonia Chorus, conducted by Oliver Zeffman, as they delve into the life of Beethoven, one of the most venerated figures in the history of music. With his unkempt appearance, ferocious reputation, and famously ill-fated deafness, what was the truth behind the legends of this extraordinary man? And how did he come to write some of the most iconic pieces of classical music of all time? </p><p> _______ </p><p>Academy of St Martin in the Fields </p><p>Orchestra </p><p><br></p><p>Philharmonia Chorus </p><p>Chorus </p><p><br></p><p>Oliver Zeffman </p><p>Conductor </p><p><br></p><p>Stephanie Gonley </p><p>Leader & Violin Soloist </p><p><br></p><p>Mishka Rushdie Momen </p><p>Pianist </p><p><br></p><p>Nardus Williams Soprano </p><p><br></p><p>Katie Stevenson </p><p>Mezzo </p><p><br></p><p>Andrew Staples </p><p>Tenor </p><p><br></p><p>William Thomas </p><p>Bass</p><p><br></p><p> _______ </p><p><br></p><p>Twitter: </p><p>@TheRestHistory </p><p>@holland_tom </p><p>@dcsandbrook </p><p><br></p><p>Producer: Theo Young-Smith </p><p>Assistant Producers: Tabby Syrett + Anouska Lewis + Aaliyah Akude </p><p>Executive Producers: Jack Davenport + Tony Pastor</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices">podcastchoices.com/adchoices</a></p>
Show Notes
Performance Credits
- Academy of St Martin in the Fields – Orchestra
- Philharmonia Chorus – Chorus
- Oliver Zeffman – Conductor
- Stephanie Gonley – Leader & Violin Soloist
- Mishka Rushdie Momen – Pianist
- Nardus Williams – Soprano
- Katie Stevenson – Mezzo
- Andrew Staples – Tenor
- William Thomas – Bass
Follow
Production
- Producer: Theo Young-Smith
- Assistant Producers: Tabby Syrett, Anouska Lewis, Aaliyah Akude
- Executive Producers: Jack Davenport, Tony Pastor
Raw Description
<p>Ludwig Van Beethoven, like his precursor and possible acquaintance Mozart, is one of the most famous figures in Western musical history. With his wild hair and furrowed brow, his was a genius marked not by flamboyance and flare, but dark, bombastic gravity. Like Mozart, though, his musical talents also emerged at a young age. Born in Bonn, Germany, in 1770, he was initially taught by his father. Finding his home life dysfunctional however, he eventually moved to Vienna at the age of twenty-one. There he would study musical composition under the great composer Haydn, and garnered a reputation for being a talented pianist. By 1800, his symphonies were being performed to much acclaim. But, as music’s first true star and with the world seemingly before his feet, a terrible shadow was hanging over Beethoven - his encroaching deafness, which saw him becoming more and more anti-social. How was it, then, that in spite of this terrible affliction, he came to write some of his best known works during the height of his deafness? And what became of him?</p><p><br></p><p>Join Tom and Dominic at the Royal Albert Hall, featuring the Academy of St Martin in the Fields and the Philharmonia Chorus, conducted by Oliver Zeffman, as they delve into the life of Beethoven, one of the most venerated figures in the history of music. With his unkempt appearance, ferocious reputation, and famously ill-fated deafness, what was the truth behind the legends of this extraordinary man? And how did he come to write some of the most iconic pieces of classical music of all time? </p><p> _______ </p><p>Academy of St Martin in the Fields </p><p>Orchestra </p><p><br></p><p>Philharmonia Chorus </p><p>Chorus </p><p><br></p><p>Oliver Zeffman </p><p>Conductor </p><p><br></p><p>Stephanie Gonley </p><p>Leader & Violin Soloist </p><p><br></p><p>Mishka Rushdie Momen </p><p>Pianist </p><p><br></p><p>Nardus Williams Soprano </p><p><br></p><p>Katie Stevenson </p><p>Mezzo </p><p><br></p><p>Andrew Staples </p><p>Tenor </p><p><br></p><p>William Thomas </p><p>Bass</p><p><br></p><p> _______ </p><p><br></p><p>Twitter: </p><p>@TheRestHistory </p><p>@holland_tom </p><p>@dcsandbrook </p><p><br></p><p>Producer: Theo Young-Smith </p><p>Assistant Producers: Tabby Syrett + Anouska Lewis + Aaliyah Akude </p><p>Executive Producers: Jack Davenport + Tony Pastor</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices">podcastchoices.com/adchoices</a></p>